Abstract | Complex, discusses intangible qualities like good and evil, seldom uses examples to support its points. |
Academic | Dry and rhetorical writing; sucking all the life out of its subject with analysis. |
Accent | In poetry, the stressed portion of a word. |
Aesthetic | Appealing to the senses; a coherent sense of taste. |
Allegory | A story in which each aspect of the story has a symbolic meaning outside the tale itself. |
Alliteration | The repetition of initial consonant sounds. |
Allusion | A reference to another work or famous figure. |
Anachronism | "Misplaced in time." An aspect of a story that doesn't belong in its supposed time setting. |
Analogy | A comparison, usually involving two or more symbolic parts, employed to clarify an action or a relationship. |
Anecdote | A Short Narrative |
Antecedent | The word, phrase, or clause that determines what a pronoun refers to. |
Anthropomorphism | When inanimate objects are given human characteristics. Often confused with personification. |
Anticlimax | Occurs when an action produces far smaller results than one had been led to expect. |
Antihero | A protagonist who is markedly unheroic: morally weak, cowardly, dishonest, or any number of other unsavory qualities. |
Aphorism | A short and usually witty saying. |
Apostrophe | A figure of speech wherein the speaker talks directly to something that is nonhuman. |
Archaism | The use of deliberately old-fashioned language. |
Aside | A speech (usually just a short comment) made by an actor to the audience, as though momentarily stepping outside of the action on stage. |
Aspect | A trait or characteristic |
Assonance | The repeated use of vowel sounds: "Old king Cole was a merry old soul." |
Atmosphere | The emotional tone or background that surrounds a scene |
Ballad | A long, narrative poem, usually in meter and rhyme. Typically has a naive folksy quality. |
Bathos | Writing strains for grandeur it can't support and tries too hard to be a tear jerker. |
Pathos | Writing evokes feelings of dignified pity and sympathy. |
Black humor | The use of disturbing themes in comedy. |
Bombast | Pretentious, exaggeratedly learned language. |
Burlesque | Broad parody, one that takes a style or form and exaggerates it into ridiculousness. |
Cacophony | In poetry, using deliberately harsh, awkward sounds. |
Cadence | The beat or rhythm or poetry in a general sense. |
Canto | The name for a section division in a long work of poetry. |
Caricature | A portrait (verbal or otherwise) that exaggerates a facet of personality. |
Catharsis | Drawn from Aristotle's writings on tragedy. Refers to the "cleansing" of emotion an audience member experiences during a play |
Chorus | In Greek drama, the group of citizens who stand outside the main action on stage and comment on it. |
Classic | Typical, or an accepted masterpiece. |
Coinage (neologism) | A new word, usually one invented on the spot. |
Colloquialism | A word or phrase used in everyday conversational English that isn't a part of accepted "school-book" English. |
Complex (Dense) | Suggesting that there is more than one possibility in the meaning of words; subtleties and variations; multiple layers of interpretation; meaning both explicit and implicit |
Conceit (Controlling Image) | A startling or unusual metaphor, or to a metaphor developed and expanded upon several lines. |
Denotation | A word's literal meaning. |
Connotation | Everything other than the literal meaning that a word suggests or implies. |
Consonance | The repetition of consonant sounds within words (rather than at their beginnings) |
Couplet | A pair of lines that end in rhyme |
Decorum | A character's speech must be styled according to her social station, and in accordance to the situation. |
Diction | The words an author chooses to use. |
Syntax | The ordering and structuring of words. |
Dirge | A song for the dead. Its tone is typically slow, heavy, depressed, and melancholy |
Dissonance | Refers to the grating of incompatible sounds. |
Doggerel | Crude, simplistic verse, often in sing-song rhyme, like limericks. |
Dramatic Irony | When the audience knows something that the characters in the drama do not |
Dramatic Monologue | When a single speaker in literature says something to a silent audience. |
Elegy | A type of poem that meditates on death or mortality in a serious, thoughtful manner. |
Elements | Basic techniques of each genre of literature |
Enjambment | The continuation of a syntactic unit from one line or couplet of a poem to the next with no pause. |
Epic | A very long narrative poem on a serious theme in a dignified style; typically deal with glorious or profound subject matter. |
Epitaph | Lines that commemorate the dead at their burial place. |
Euphemism | A word or phrase that takes the place of a harsh, unpleasant, or impolite reality. |
Euphony | When sounds blend harmoniously. |
Explicit | To say or write something directly and clearly. |
Farce | Extremely broad humor; in earlier times, a funny play or a comedy. |
Feminine rhyme | Lines rhymed by their final two syllables. Properly, the penultimate syllables are stressed and the final syllables are unstressed. |
Foil | A secondary character whose purpose is to highlight the characteristics of a main character, usually by contrast. |
Foot | The basic rhythmic unit of a line of poetry, formed by a combination of two or three syllables, either stressed or unstressed. |
Foreshadowing | An event of statement in a narrative that in miniature suggests a larger event that comes later. |
Free verse | poetry written without a regular rhyme scheme or metrical pattern |
Genre | A sub-category of literature. |
Gothic | A sensibility that includes such features as dark, gloomy castles and weird screams from the attic each night. |
Hubris | The excessive pride or ambition that leads to the main character's downfall |
Hyperbole | Exaggeration or deliberate overstatement. |
Implicit | To say or write something that suggests and implies but never says it directly or clearly. |
In media res | Latin for "in the midst of things," i.e. beginning an epic poem in the middle of the action. |
Interior Monologue | Refers to writing that records the mental talking that goes on inside a character's head; tends to be coherent. |
Inversion | Switching the customary order of elements in a sentence or phrase. |
Irony | A statement that means the opposite of what it seems to mean; uses an undertow of meaning, sliding against the literal a la Jane Austen. |
Lament | A poem of sadness or grief over the death of a loved one or over some other intense loss. |
Lampoon | A satire. |
Loose sentence | A sentence that is complete before its end: Jack loved Barbara despite her irritating snorting laugh. |
Periodic Sentence | A sentence that is not grammatically complete until it has reached it s final phrase: Despite Barbara's irritation at Jack, she loved him. |
Lyric | A type of poetry that explores the poet's personal interpretation of and feelings about the world. |
Masculine rhyme | A rhyme ending on the final stressed syllable (regular old rhyme) |
Meaning | What makes sense, what's important. |
Melodrama | A form of cheesy theater in which the hero is very, very good, the villain mean and rotten, and the heroine oh-so-pure. |
Metaphor | A comparison or analogy that states one thing IS another. |
Simile | A comparison or analogy that typically uses like or as. |
Metonymy | A word that is used to stand for something else that it has attributes of or is associated with. |
Nemesis | The protagonist's arch enemy or supreme and persistent difficulty. |
Objectivity | Treatment of subject matter in an impersonal manner or from an outside view. |
Subjectivity | A treatment of subject matter that uses the interior or personal view of a single observer and is typically colored with that observer's emotional responses. |
Onomatopoeia | Words that sound like what they mean |
Opposition | A pairing of images whereby each becomes more striking and informative because it's placed in contrast to the other one. |
Oxymoron | A phrase composed of opposites; a contradiction. |
Parable | A story that instructs. |
Paradox | A situation or statement that seems to contradict itself, but on closer inspection, does not. |
Parallelism | Repeated syntactical similarities used for effect. |
Paraphrase | To restate phrases and sentences in your own words. |
Parenthetical phrase | A phrase set off by commas that interrupts the flow of a sentence with some commentary or added detail. |
Parody | The work that results when a specific work is exaggerated to ridiculousness. |
Pastoral | A poem set in tranquil nature or even more specifically, one about shepherds. |
Persona | The narrator in a non first-person novel. |
Personification | When an inanimate object takes on human shape. |
Plaint | A poem or speech expressing sorrow. |
Point of View | The perspective from which the action of a novel is presented. |
Omniscient | A third person narrator who sees into each character's mind and understands all the action going on. |
Limited Omniscient | A Third person narrator who generally reports only what one character sees, and who only reports the thoughts of that one privileged character. |
Objective | A thrid person narrator who only reports on what would be visible to a camera. Does not know what the character is thinking unless the character speaks it. |
First person | A narrator who is a character in the story and tells the tale from his or her point of view. |
Stream of Consciousness | Author places the reader inside the main character's head and makes the reader privy to all of the character's thoughts as they scroll through her consciousness. |
Prelude | An introductory poem to a longer work of verse |
Protagonist | The main character of a novel or play |
Pun | The usually humorous use of a word in such a way to suggest two or more meanings |
Refrain | A line or set of lines repeated several times over the course of a poem. |
Requiem | A song of prayer for the dead. |
Rhapsody | An intensely passionate verse or section of verse, usually of love or praise. |
Rhetorical question | A question that suggests an answer. |
Satire | Attempts to improve things by pointing out people's mistakes in the hope that once exposed, such behavior will become less common. |
Soliloquy | A speech spoken by a character alone on stage, meant to convey the impression that the audience is listening to the character's thoughts. |
Stanza | A group of lines roughly analogous in function in verse to the paragraphs function in prose. |
Stock characters | Standard or cliched character types. |
Subjunctive Mood | A grammatical situation involving the words "if" and "were," setting up a hypothetical situation. |
Suggest | To imply, infer, indicate. |
Summary | A simple retelling of what you've just read. |
Suspension of disbelief | The demand made of a theater audience to accept the limitations of staging and supply the details with their imagination. |
Symbolism | A device in literature where an object represents an idea. |
Technique | The methods and tools of the author. |
Theme | The main idea of the overall work; the central idea. |
Thesis | The main position of an argument. The central contention that will be supported. |
Tragic flaw | In a tragedy, this is the weakness of a character in an otherwise good (or even great) individual that ultimately leads to his demise. |
Travesty | A grotesque parody |
Truism | A way-too obvious truth |
Unreliable narrator | When the first person narrator is crazy, a liar, very young, or for some reason not entirely credible |
Utopia | An idealized place. Imaginary communities in which people are able to live in happiness, prosperity, and peace. |
Zeugma | The use of a word to modify two or more words, but used for different meanings. He closed the door and his heart on his lost love. |
Ode | A poem in praise of something divine or noble |
Iamb | A poetic foot -- light, heavy |
Trochee | A poetic foot -- heavy, light |
Spondee | A poetic foot -- heavy, heavy |
Pyrrhie | A poetic foot -- light, light |
Anapest | A poetic foot -- light, light, heavy |
Ambibranch | A poetic foot -- light, heavy, light |
Dactyl | A poetic foot -- heavy, light, light |
Imperfect | A poetic foot -- single light or single heavy |
Pentameter | A poetic line with five feet. |
Tetrameter | A poetic line with four feet |
Trimeter | A poetic line with three feet |
Blank Verse | unrhymed iambic pentameter. |
woooowww. way to take up the entire blog page. haha good luck on the test!
ReplyDeletehaha thanks, I figured that if I just put the link no one would look at it
ReplyDeleteWho all is taking the exam?
ReplyDelete